During April, the folks over at National Novel Writing Month (or Nanowrimo or Nano, for short) run their sister competition -- Script Frenzy. Whereas the goal of Nano is to write 50k words in a month, thereby completing a draft book manuscript, the goal of Script Frenzy is to complete 100 pages of scripted material in 30 days.
This. Basically. |
I've never participated in Script Frenzy myself. I've done Nano for three years running, and I figure one pseudo-masochistic writing competition a year is enough for me. But though I'm not formally signed up, in honor of the competition I did try my hand at writing a screenplay. The below is a portion adapted from chapter eight of Chronicle of Angels and Men. You may recall this chapter is simply titled "Angels and Men."
If you've never tried it, let me tell you adapting scripted material from prose such as a novel is a lot more complicated than you might imagine. (It was certainly moreso than I imagined.) But all in all it was fun and educational.
I'd say also that knowing is half the battle, but
that might be crossing too many memes.
|
There is a slight *SPOILER* warning here if you haven't ready Chronicle of Angels and Men yet (what are you waiting for!). So just a heads up. But for a little context, in this scene Agamatsu (shortened to 'Matsu' in the script for added readability) attempts to convince Arameus to betray his Human allegiances, and we also are given some insight into the Others' past.
By the way, if you're interested in screenplays yourself and the like, make sure you get in on the competition next year. If you're feeling frisky, you can probably even still sign up for the remaining 20 days of this year's challenge. Either way, be sure to check out the sample screenplay below, and let me know if what you think. ~Tet
Excerpts from Chronicle of Angels and Men - Publish
Date 6.30.2011
Adapted for Screen
Adapted for Screen
EXT. BELOW WORLD – CITY OF NAYRETH – EARLY EVENING
Nayreth is
a city in the Below World and where the king resides. During the day, the city
is often bustling with activity, as people greet one another and tend to their
homes and small businesses. To Humans, the city might have a historical feel.
There are no towering skyscrapers, and homes are modest, often more colonial in
style.
The largest
structure is the palace of the king, which rests at the north end of the city
on the edge of a stunning underground lake. The area surrounding the lake
itself has been encapsulated by the massive tree roots pushing through from the
soil above and forming a sort of lovely enclosure. While Nayreth is easily as
large as Augusta City in expanse, it is in no way comparable to Augusta’s
complexity.
INT. NAYRETH PALACE – ARAMEUS’ CHAMBERS – EARLY
EVENING
Having
finished his meeting with Kouna, MATSU returns from the Above World to bring
the news to ARAMEUS. Arameus is reclined, with a nearby attendant seeing to his
condition.
As Matsu
enters, Arameus turns and attempts to sit himself up. Arameus looks visibly
weary from the effort.
ARAMEUS
Ma-… Matsu…
MATSU
(bowing)
My liege…
ARAMEUS
How did it…go…?
MATSU
(approaching)
Not well…
ARAMEUS
No…?
MATSU
(visibly sneering)
He is sending the supplies, but… he refuses to deal with any but
you again. He refused me outright today.
ARAMEUS
Well… I suppose we’ve little choice… but to deal with him on his
terms…
MATSU
I struggled at every moment not to tear his throat from his
neck.
ARAMEUS
–Matsu…
MATSU
I am sorry, Sire, but he is a devious man, this Kouna. I do not
trust him.
ARAMEUS
You don’t trust anyone – least of all
Humans.
MATSU (V.O.)
I could not contest it.
The
attendant finishes rewrapping Arameus’ arm. Arameus is visibly in discomfort,
catching and holding his breath with each movement, as he shifts slightly.
Matsu
notices the pained expression in Arameus’ face, and Matsu too grits his teeth
alongside each wince.
MATSU
You don’t look well. You should get your
rest.
ARAMEUS
I have… been resting. The plague is indiscriminate, friend. It
attacks whether weak or rested.
MATSU
(catches Arameus by the arm, helping to reposition him)
It discriminates greatly. It cripples only Others and leaves
Humans in peace. That’s a fine definition of bigotry, I would say.
ARAMEUS
Of your logic, I once again can’t disagree…
MATSU (V.O.)
The plague had struck us without warning.
HISTORY OF
THE PLAGUE MONTAGE
EXT. BELOW WORLD – VILLAGE – 30 YEARS AGO
INTERTITLE:
NAYRETH, 30 YEARS AGO
Flashback
to 30 years prior. The setting is similar to a Colonial America. The Below
World consists of several townships and a handful of villages. In an Other
village, people are going about their daily lives – tending to fields, walking
with their families through the town square, etc.
MATSU (V.O.)
As a people, we prided ourselves in our self-sufficiency, but in
this we were wholly without response.
Sickness was not a trouble we’d dealt with in our former lives, even on
the simplest of levels. And to our
despair, this was far from a simple ill.
-One by
one, people COLLAPSE, falling sick from the plague.
-The
affected populous is small at first but grows steadily.
The
affliction manifests itself initially with open sores, but these soon fade as
the victim’s limbs become stiff and paralyzed, appearing to dry up.
-All the
beds in the LOCAL SANATORIUM are filled, with new patients entering daily.
MATSU (V.O.)
The plague was devastating, crippling our organs, one by one,
robbing us of use of our limbs, and eventually killing us. It was not a discreet assassin, and we had no
evidence as to its cause beyond a few very thin working hypotheses. As it was, the plague had not struck every
one of us, though probably a good thirty percent or so had been affected. I was of the other seventy.
-Matsu
ENTERS the NAYRETH PALACE LIBRARY to find Arameus COLLAPSED, seemingly a victim
of the plague.
-Matsu
RUSHES over to Arameus and CALLS out for help.
MATSU (V.O.)
Arameus had been hit particularly hard with the illness, losing
his left hand at the wrist, and his right arm at the shoulder. It was at this point that we were advised
into dealings with a Human benefactor by the name of Hiroyuki Kouna.
INT. ABOVE WORLD – OFFICES OF KOUNA HEAVY
INDUSTRIES – NIGHT
-Arameus
and Matsu WAIT in a darkly-lit room.
-Hiroyuki
Kouna ENTERS. He comes alone but carries a BRIEFCASE bearing details of his
business and available offices.
MATSU (V.O.)
His arms were far-reaching in the Above World, and he was
sympathetic to our plight. He opened to
us his offices of construct, commissioning prosthetic limbs by way of his metal
and mechanica businesses in order to replace the crippled or discarded ones taken
by the plague.
WEEKS LATER
-Arameus
and Matsu meet with Kouna again. As they enter the dimly-lit room, they find
Kouna standing in wait.
-Beside
Kouna are four large METAL CASES sitting on the floor, presumably containing
experimental CURATIVE AGENTS.
-The
CURATIVE AGENTS are successful is repressing some of the more painful qualities
of the plague, but they cannot cure the condition.
MATSU (V.O.)
He was, quite honestly and to our people, a Godsend.
MANY WEEKS
LATER
-Arameus
and Matsu again meet with Kouna.
-Kouna
eagerly DISCUSSES more of the details on their agreement and exchange.
-Also in
attendance is a colleague of Kouna’s, who shows off some of the MECHANICA LIMBS
to Arameus.
-Matsu
takes custody of more CASES of the CURATIVE AGENTS.
MATSU (V.O.)
At first, he requested very little in return, only information –
knowledge of our history and culture, our ancestry before us, the Angels and
their story. His curiosity was
endless. Rumor had it he had even taken
an Other mistress. Nevertheless, it
seemed harmless and a small price to pay for salvation. However, the time came when he requested of
us something more.
SEVERAL
MONTHS LATER
-As Kouna
comes to meet with Arameus and Matsu this time, Kouna brings with him four
associates.
-The two
dressed in suits are business aides, each carrying two METAL CANISTERS with the
CURING AGENTS.
-The other
two are research scientists, dressed accordingly, and each carrying a BRIEFCASE
with research MATERIALS and TOOLS.
MATSU (V.O.)
Hiroyuki was an ambitious man, kind to our people, but he craved
power – supernatural power. It was, in
my opinion, something a man as resourceful as he should never have been
allowed. But with his people suffering,
Arameus could not stand idly by and commit to their demise. We were his new bride, after all.
LATER THAT
NIGHT
-Kouna’s
associates TAKE NOTES and RUN PHYSICALS on Arameus and Matsu.
MATSU (V.O.)
But this man, Kouna, was a tinkerer. He spoke so much of life and his interest in its
very nature – what defined it, what defined death, what constituted sentient
thought, how life was built – answers which escaped us now, but were
theoretically all locked within the genetic codes of our Angel heritage. For any other man, I would have thought his
inquiries only the philosophical musings of a starstruck student. But for this man, it seemed something more.
-One of the
research scientists produces a SYRINGE in the hopes of taking a BLOOD SAMPLE.
-Matsu and
Arameus are immediately skeptical but eventually COMPLY.
MATSU (V.O.)
And there came a time that he asked for a sampling of our blood
– both plagued and healthy – he said to commit some resources toward devising a
proper vaccine. While we had no reason
to doubt him – Kouna Heavy Industries did have a division of good repute
devoted solely to medical research – the request struck as odd. Arameus and I were prime candidates and so we
complied, despite our suspicion of it all.
-The
researchers TAKE BLOOD SAMPLES, carefully placing each VIAL into a PADDED CASE
as they complete the procedure.
DAYS LATER
-Arameus
and Matsu meet once more with Kouna.
-Kouna has
again brought his researchers and aides in tow.
MATSU (V.O.)
However, it was only after he begged disclosure of the location
of the Angel colony, information it had been agreed generations past would be
kept in confidence despite the separation of our peoples, that we offered our
first resistance toward him.
-Arameus
REFUSES to give up the location of the Above World ANGEL COLONY.
-Kouna
looks ENRAGED and THREATENS to end their contract and cease aid.
MATSU (V.O.)
Kouna threatened to withhold from us his structured relief and
aids.
-Arameus
STANDS FIRM in his refusal.
MATSU (V.O.)
But Arameus, caught between a centuries-old pact and love of his
people, chose to trust his ancestry and called his bluff. It was not a bluff.
-We end on
Kouna’s men closing up the CANISTERS containing of the CURATIVE AGENTS and
taking them away.
END MONTAGE
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